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In Handley Cross, an early Victorian sporting novel, Mr.

Wasteland with Words is a very welcome addition to the small number of academic books about Iceland’s modern history available in English. The few other works on modern Icelandic history are largely written in Icelandic for local consumption.

In her most recent publication, Felicity Nussbaum masterfully explores the relationship between the celebrated actresses of the 18th-century English stage and the changing economic and social mores of the period.

With edits by the editors Chris Cotton, Peter White and Stephen Brooks.

In the late 1980s, a promising young African-American actor named Denzel Washington was asked to take a leading role in the movie, Glory. Directed by Edward Zwick, a white liberal, Glory told the story of a relatively minor action in the American Civil War.

This book sheds much light on the ascendancy of liberal values in the 19th century and their role in the transformation of the fiscal military state of the previous century. While using a wealth of secondary literature, including many essays and review articles in literary weeklies and monthlies, William Lubenow charts new and important territory.

Reports of the death of the Mediterranean – on some accounts from pollution, on others from conceptual redundancy – have proved exaggerated. Conceptually, at least, ‘The Mediterranean’ flourishes as never before: an idea more than a sea. It seems ubiquitous on web sites and in book and journal titles as well as on conference posters, not to mention political action plans.

The centrality of Punch to the study of Victorian politics and culture is well-established.

If the debut of the Illustrated London News (ILN) in May 1842 signalled ‘a revolution in journalism and news reporting’, as the introduction to this remarkable on-line collection contends, there can be little doubt that an equally revolutionary transformation has occurred over the c

There is a long-standing tradition of joint-authored works that seek to understand the economics of British imperialism from the perspective of its underlying cultural assumptions and practices.