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In When Hollywood Loved Britain Mark Glancy used a trove of fascinating archival material to examine the ways in which propaganda and economic expedience shaped the American film industry’s representation of Britain during the Second World War.(1) For his new book, Glancy returns to the history of British-American film culture, albeit with a rather different p
In 1919, Douglas C. McMurtrie, Director of the Red Cross Institute for Crippled and Disabled Men, remarked that, ‘beyond reaches of history, the disabled man has been a castaway of society’.
In the latest of our occasional Reviews in History podcast series, Anthony McFarlane talks to Felipe Fernandez-Armesto about his new book, Our America: A Hispanic History of the United States.
Felipe Fernández-Armesto (born 1950) is a British historian and author of several popular works of revisionist history.
Harlem and the photograph share a long, closely entangled history. Photographic images of the riots that erupted in the neighbourhood in 1935 and 1943 helped to puncture the image of Harlem as a playground for white urban adventurers, and to raise in its place the spectre of a ‘no-go’ area, a district of Manhattan sealed off from direct encounter by whites.
Popular views of the US civil rights movement remain focused on the post-war South.
Slavery defined the Atlantic world. African forced labour produced the primary materials that drove European mercantile economies. The plantation complex lay at the core of societies from Brazil and the West Indies to the American mainland and West Africa.
The legal act of defining the ‘employee’ is about drawing lines. Those boundaries are often artificial, legally structured, and forged in an array of contests over power, ideology, and economics. They may be artificial, but they are powerful, demarcating who is in and who is out, who is us and who is them.
Top Down: the Ford Foundation, Black Power and the Reinvention of Racial Liberalism / Karen Ferguson
You’d think that people would love you for giving away money. But that ain’t always so. One of the major lessons from the history of the philanthropy is that people who give away money aren’t always loved. Sometimes, philanthropists get nothing but grief in exchange for their efforts.
This book is a welcome addition to the growing field of literature on the history of eugenics. It brings that discussion into the field of disability studies as it deconstructs how and why concerns over feeblemindedness lay at the heart of eugenics ideology.
In Saturday Night and Sunday Morning, Alan Sillitoe’s ground breaking 1958 novel, television is a metaphor for mass consumerism and the resulting growth of a more privatised, home-centred working-class in post-war Britain.