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ISSN 1749-8155

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Review Date: 
1 Sep 2016

In a recent blog post for the Women’s History Association of Ireland, Caitriona Clear reflected on how Irish women’s history had now reached a critical mass ‘whereby it does not need to be identified with any one historian or any group of historians’.

Review Date: 
25 Aug 2016

The 1950 feature film Dance Hall is one of Ealing Studios lesser-known releases. Crafted around the lives of four working-class women – played by Natasha Perry, Petula Clark, Jane Hylton and Diana Dors – the narrative shifts between the spaces of factory work, domestic life and commercial leisure. The most significance location is, however, the Chiswick Palais de Danse.

Review Date: 
11 Aug 2016

The mention of the Southern plantation tends to bring to mind one of two competing images: either the white-columned antebellum mansion and its manicured grounds, or the desolate home of African-American sharecroppers in the post-Civil War era.

Review Date: 
21 Jul 2016

There were times during the resurgence of the economic crisis in 2015 when it seemed as if ‘Greek-bashing’ had become a pan-European pastime.

Review Date: 
16 Jun 2016

Early in 2015, journalists reporting on US Democratic presidential candidate Bernie Sanders produced a potentially valuable nugget of opposition research: in 1985, Sanders visited Nicaragua as part of a delegation of US solidarity groups that was given a personal audience with Sandinista president Daniel Ortega.(1) In his first political memoir, published with Verso Bo

Review Date: 
9 Jun 2016

For much of the last century the literature on the history of documentary film was small and virtually every book-length contribution intimately familiar to its committed but specialist readership.

Review Date: 
19 May 2016

Few authors are as well qualified as Paul Rouse to attempt this ambitious undertaking, the first scholarly overview of the history of sport in Ireland during the last millennium.

Review Date: 
12 May 2016

‘“Chris’mas, we allus had plenny good sumpin’ t’eat, an’ we all got tegether an’ had lots er fun,”’ stated Rias Body, an ex-slave from Alabama, to a Federal Writers’ Project interviewer.

Review Date: 
5 May 2016

Towards the end of this fascinating study, Heather Shore reflects on the difficulty of ‘trying to uncover or reconstruct something that does not exist in a concrete form’ (p. 192). For Shore, the ‘underworld’ is a ‘cipher’, through which the press, the police, the government, and the wider society represents, and tries to understand, crime as a social problem.

Review Date: 
14 Apr 2016

The literature of the British home front differs distinctly in both quantity and nature between the two wars themselves.

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