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During the last 25 years, academic writing on film and the cinema has been dominated by two analytical systems.

The book I have before me feels rather expensive, well-made, a hardback with a striking dust jacket bearing an enlarged portion of an historic print. Inside, the paper is silky smooth, the ink dark and clean, the layout elegant with generous outer margins. The illustrations too are clean and clear, dropped into the text.

This book is impressively detailed, showing women's experience of demobilisation and the aftermath of armed conflict - an often neglected area of military study relating to women - as well as their feelings about morality, their male counterparts, uniforms, duties and a slew of other subjects.

Edward Daniel Clarke, the primary British Traveller considered in this book, asked his readers to consider the purpose of travel; Brian Dolan, the author of this book, asks his readers to consider how and why people write about travel.

Joseph P. Huffmans Family, Commerce and Religion in London and Cologne: Anglo-German Immigrants, c.1000-c.1300: (Cambridge 1998) is the most recent contribution to a burgeoning field of historical scholarship, i.e. the study of Anglo-German relations in the Middle Ages. Over the last fifteen years a number of studies have appeared on the subject.

"Woman manacled before giving birth" and "Battery hen cells being built for women" are only two of the various horror stories about everyday life in British prisons which have recently hit the headlines. Hardly a week seems to go by without new revelations about dire conditions in prisons both here and across the Atlantic.

Edmund Dell has moved from his highly praised account of the early years of the Callaghan administration, which he observed and in which he participated as a government minister, to the last years of the Attlee administration.

The title was inspired by the birth, during the writing of this volume, of a child named after the author. A second volume will bring the survey to the present and to some glimpses of that young woman's prospects. The prospect presented here is that of the sleepy young knitter of the 18th century pictured on the cover and of generations before her.