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Readers of English who want to know more about the experience of the Greek Orthodox Church under Ottoman rule have generally reached for Steven Runciman’s The Great Church in Captivity, first published by Cambridge University Press in 1968.(1) As an introductory guide to the topic, the book has stood up very well over the years but inevitably some aspects of i
The collection of essays edited for Brepols by Kate Dimitrova and Margaret Goehring, Dressing the Part: Textiles as Propaganda in the Middle Ages, addresses the significance of cloth and clothing in visual culture during the Middle Ages.
Guido Ruggiero’s new social and cultural history of Italy between 1250 and 1575 begins at the end of the world and ends at the beginning of the ‘Great Social Divide’.
The history of the Huguenot diaspora following the revocation of the Edict of Nantes has been widely chronicled. First, exiled Huguenots wrote narratives of their escape in order to preserve the memory of their hardship – no doubt at the prompting of numerous individuals eager to hear their compelling stories.
This well-documented book is the result of intensive archival research in masonic sources at the Bibliothèque Nationale, the Grand Orient’s recently available ‘Russian Archives’, as well as numerous municipal and departmental repositories.
Serhy Yekelchyk's Stalin's Citizens is a fine work of scholarship, based on painstaking archival research.
In his classic thriller Greenmantle, first published in 1916, John Buchan describes his hero Richard Hannay’s first encounter with his adversary, the German officer Colonel Ulrich von Stumm, in a fashion which hints at a hidden strain of sexual deviance within the German armed forces:
Histories of the fate of the Ottoman Armenians have long, and understandably, been dominated by two themes. Firstly, the quest for ‘proof’ of the genocidal intent behind the treatment of the Armenians in 1915.
Arguably, no other institution in the Middle Ages and early modern era was as subject to as many legal disparities and disputes between royal and papal power as that of royal marriage. In fact, a royal marriage was far from a private affair. On the spiritual level, the marriage of a royal couple was to reflect the sanctity of the life union between woman and man at the highest strata.
In this inspiring new study, Rebecca Houze builds on her series of excellent articles, in Journal of Design History, Studies in the Decorative Arts, Centropa and elsewhere, which deal with Austrian and Hungarian applied arts at the turn of the century.