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A number of scholars have recently examined the ways in which Italians participated in, supported and/or resisted the Fascist project of radically transforming politics, society, and the citizens’ private sphere, including the transformation of the boundaries between private life and the public arena.
Rachel Duffett has written a fine social history of British rank and file soldiers, or rankers, and their experiences of food during the Great War. She states, ‘The ranker’s relationship with food was a constant thread, woven throughout his army experience … every day, wherever he was, a man needed to eat’ (p. 229).
No one would deny that Pompeii, the city destroyed by the forces of nature – as when, in the words of the poet Leopardi, ‘an overripe tomato falls on an anthill’ – has attained the status of an archetype, outpacing even Atlantis (whose story must now be explained to the unfamiliar in terms of the fate of Pompeii).
‘He was one of the best National Socialists, one of the strongest defenders of the German Reich, one of the greatest opponents of all enemies of the Empire.
Over the past generation of scholarship, the history of consumption and material culture has emerged as a rich subfield of European history.
Penelope Fitzgerald’s historical novel The Beginning of Spring, set in Moscow in 1913 but written at the height of perestroika, conveys an ambivalence familiar to those of us who spent time there during the Gorbachev years.
There are many ways to write about the history of Italian cycling. John Foot explains that his book ‘tells the story moving between biographies of individual cyclists, tales of races and an analysis of Italian society’ and that ‘space will be dedicated to the role of bicycle in everyday Italian life’ (p. 4).
The thesis and value of Andrew Elliott’s new study of ‘medieval film’ are neatly encapsulated by his reminding us at the end of the book’s preface that, in the medieval tradition, the Grail quest involved asking, not answering, the right questions.
Deborah Simonton’s Women in European Culture and Society: Gender, Skill and Identity from 1700 purports a ‘straightforward agenda – to explore European women’s relationship to their culture and society since about 1700’ (p. 1).
This book is written with a clear purpose: to unsettle assumptions conditioned by the power of institutions such as states and armies to frame the first draft of history. Matt Perry has taken the decision to put before readers the subaltern voice of a French socialist activist.