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Few cultural commentators would feel brave enough to identify a particular month and year when human character underwent a significant transformation- the novelist Virginia Woolf had no such reservations. According to her, December 1910 marked one of these distinctive turning points.
Jisc’s Historical Texts brings together for the first time three important collections of historical texts, spanning five centuries: Early English Books Online (EEBO), Eighteenth Century Collections Online (ECCO), and the British Library 19th-century collection.
The dissemination of cultural improvement was written into the ethos of the BBC under John Reith, the first director-general from 1927. Until 1945 the BBC broadcast a single national service and therefore constructed programming that attempted to offer a culturally unified ‘voice of the nation’.
This well-crafted volume of ten essays is an important contribution to the growing body of research on women and law in England the pre-modern period. Each essay examines a different aspect of women’s interactions with the law (broadly defined and encompassing both secular and ecclesiastical courts) and, as suggested in the title, foregrounds their agency.
Historians, unsurprisingly, spend much of their time thinking about how people make sense of the past.
In the latest of our occasional Reviews in History podcast series, Daniel Snowman talks to Professor Roy Foster about his recent book, Vivid Faces: The Revolutionary Generation in Ireland, 1890-1923, as well as issues surrounding Anglo-Irish history, historiography and biography.
As Anna Bayman notes in her excellent new monograph, ‘[a] book about Thomas Dekker could [...] be a book about almost anything’ (p. 3). Tackling this prolific and somewhat elusive writer brings with it a host of difficulties. Dekker’s writings are generically and formally diverse, embedded within the political and moral concerns of early modern London.
Both the problematic discourses of ‘professional/amateur’ and ‘public/private spheres’, and also the multifaceted hierarchies between the fine and the applied arts, have received substantial academic enquiry in the last thirty years. This is particularly true for the art historians researching the cultural activities of middle-class women in 19th-century Britain.
The period 1550–1700 saw the ‘golden age’ of the English alehouse. Although ale had long been consumed as part of a daily diet in England, it had mostly been produced on a domestic scale, and its retail had tended to be sporadic and temporary.
In Mediatrix Julie Crawford seeks to expand our understanding of women’s contributions to early modern literary and political culture. Crawford seeks to look beyond the concept of the woman writer to instead focus on the ‘startling range of women’s literary practices’ and the ‘collaborative nature of literary production’ in pre-modern England (p. 3, p. 4).