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Benjamin Franklin in London is a narrative biography of the American ‘founding father’ Benjamin Franklin. As the title suggests, the book substantively concentrates on Franklin in London between 1757 and 1775. During this time, Franklin was an agent advocating colonial interests in Parliament.
To counter what he sees as the increasing influence of cultural studies, John Tosh has argued that historians need ‘to reconnect with that earlier curiosity about experience and subjectivity, while recognising that experience is always mediated through cultural understandings’.(1) As if in response to that plea, Balfour’s World sets out to examine and understa
Of all the Federal Arts Projects set up as part of the New Deal, the Federal Writers’ Project (FWP) was, in the words of one contemporary, the ‘ugly duckling’ (p. 35).
Michael Huckabee, former Arkansas governor, frequent presidential candidate, and former Fox News host, opens the election year reissue of his 2014 manifesto God, Guns, Grits, and Gravy with the arresting anecdote of 2012’s ‘Chick-fil-A Appreciation Day’.
In Commons Democracy, literary scholar Dana Nelson offers an alternative history of democracy in Revolutionary America. Nelson challenges the comforting narrative Americans like to tell themselves about the ‘Founders’ high-minded ideals and their careful crafting of the sage framework for democracy – a representative republican government’ (p. 3).
Owen Hatherley’s latest book is a compelling exploration of one way in which the British political establishment and the British public (mis)interpret, (mis)remember, and (fail to) engage with history. The history with which Hatherley is concerned is the Attlee government of 1945–51, set within the wider era described mostly, vaguely, as ‘post-war’.
Historians of pretty well every field and period have long acknowledged that historical enquiry cannot (indeed, must not) be limited to describing the actions and experiences of elites.
Jason Garner's monograph on the origins of the Federación Anarquista Ibérica (FAI) is an illuminating and much-welcomed addition to the inchoate body of English-language scholarship dealing specifically with pre-Civil War Spanish anarchism.
The American Civil War led directly to the passage of the 13th Amendment and the abolition of chattel slavery in the United States. How that happened and why it took so long has been a matter of dispute ever since.
Given the volume of recent works produced on the anti-slavery movement of the 19th–century Atlantic world, it was time for someone to create a new synthesis. Manisha Sinha’s The Slave’s Cause is a synthetic work that traces the long trajectory of the anti-slavery movement in the United States and places it into an international context.