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The history of emotions, a rocket taking off according to Jan Plamper, seems to be screaming ‘know thyself!’ at psychology in all its various forms, but most specifically at neuroscience. The development of a hard science of emotions has involved, with every step ‘forward’, the forgetting of the previous step.
At first sight this looks like another of those increasingly common commodity books, some of which are intended to be global in scope, and which include studies of chocolate, sugar, cod, salt and many others (digestible or not!). As Riello points out, commodities are a good way to tell a global story since many of them have been traded throughout the world for centuries.
Firing off ideas and arguments in all directions, Jussi Parikka’s What is Media Archaeology? is an exciting and excitable contribution to cultural theory. The book begins by outlining the strands of historical and cultural enquiry, as well as the artistic practices, that currently constitute what he terms ‘media archaeology’.
Hugh Chignell’s well-researched volume tells the story of the development of current affairs programming on British radio, which, we learn, is inextricably tied to the ‘painfully slow development of news’ programming on the BBC. To explain the significance of the separation and elaboration of these two forms of broadcasting, Chignell begins with the Victorian ‘rigid class hierarchies’(p.
And whenever we abuse that reason, and act beneath the character and dignity of a rational creature, we lose the divine image in that respect; we have nothing to denominate us men but outward shape; or, in other words, we become brutes in the shapes of men.(1)
Modern British nursing, based on formal training and skilled work, emerged within a tradition of religious sisterhoods (both Protestant and Catholic) and military reforms from the mid 18th century.
In the two decades since Margaret Rossiter’s first volume on Women Scientists in America (1), there has been a steady series of books which have investigated the place of women in science, seeking to discover if and where they existed, the nature of their of their contribution and the reasons why for so often and so long there has been a perceived disjuncture
Wayne Biddle’s Dark Side of the Moon joins a growing list of Wernher von Braun biographies published in the last two decades in Germany and the United States.(1) This renewed interest in the charismatic rocket engineer and manager of both the V-2 program for the Nazi regime and the Saturn V rocket development program for NASA seems reflective of a major re-eva