Browse all Reviews
In 1979 Pete Wrong of the art collective and Punk band Crass was being interviewed by New Society about his graffiti operation on the London Underground: ‘We don’t just rip the posters down or spray them. We use stencils, neatly, to qualify them.
Eli Rubin has written a wonderful book that does not just tell a fascinating story about an important but much neglected subject, but also manages to link this story to much broader historiographical, and indeed ontological, questions about the intersections between space, on one hand, and power, time and lived experience on the other.
A stigma around the ill-defined genre of popular history lingers in the academy.
If one looks today at a satellite image of Manama (1), the capital city of Bahrain, the picture of the extended urban conurbation which covers both the north of the main island and the little island which faces it (Muharraq, the former capital of the emirate in the 19th century) is rather different from the ‘Islands of Paradise’ featured in the Sumerian Gilgamesh epic