Browse all Reviews
![](https://reviews.history.ac.uk/sites/reviews/files/styles/thumbnail/public/images/auerbach180.jpg?itok=ooTIJu6g)
‘This book’, writes Jeffrey A. Auerbach in his Introduction to Imperial Boredom, ‘is very much about how people felt’ [his italics]. As such, it takes its place in a growing body of scholarship that explores through individual lives the mind-set that under-pinned the empire project, both individually and on a collective level.
![](https://reviews.history.ac.uk/sites/reviews/files/styles/thumbnail/public/images/Calderwood.jpg?itok=4fRupO8C)
In Colonial Al-Andalus, Professor Eric Calderwood explores the origin of a claim widely promoted in Moroccan tourism, arts, and literature and finds its roots in Spain’s colonial rhetoric.
![](https://reviews.history.ac.uk/sites/reviews/files/styles/thumbnail/public/images/livesay.jpg?itok=Z3Ip4VEP)
Daniel Livesay’s first monograph comes at an opportune moment. With the recent release of digital projects such as the University of Glasgow’s Runaway Slaves in Britain database, historical attention has focused in on the lives of people of colour in early modern Britain.
![](https://reviews.history.ac.uk/sites/reviews/files/styles/thumbnail/public/images/easternencounters.png?itok=5LBWKOOZ)
Some 70 years after the British left India it is timely to look back at how the kings and queens of the United Kingdom came to amass one of the largest private collections of South Asian art in the world. Two conjoined exhibitions currently showing at the Queen’s Gallery do just that.
![](https://reviews.history.ac.uk/sites/reviews/files/styles/thumbnail/public/images/tythacott.jpg?itok=5OVKXo6u)
In Room 145 of the Ceramics Galleries of the Victoria & Albert Museum, at the top of case 50, you can see an ‘architectural fragment’, which, according to its label, ‘once ornamented a palace in Yuanmingyuan or “garden of perfect clarity”’.
![](https://reviews.history.ac.uk/sites/reviews/files/styles/thumbnail/public/images/West.jpg?itok=DNS25yIJ)
In Enslaved Women in America: From Colonial Times to Emancipation, Emily West masterfully presents the narrative of women’s lived experiences in slavery through the prism of gender.
![](https://reviews.history.ac.uk/sites/reviews/files/styles/thumbnail/public/images/burke.jpg?itok=qh0SVljD)
In The Ethnographic State: France and the Invention of Moroccan Islam, Edmund Burke does the important work of historicizing colonial-era research on Morocco and Moroccans.
![](https://reviews.history.ac.uk/sites/reviews/files/styles/thumbnail/public/images/subrahmanyam.jpg?itok=NrZ8KzwX)
In this history of representations and knowledge formation Sanjay Subrahmanyam turns a historian’s gaze to the problems both implicitly and explicitly embedded in all histories of the early modern and modern world: why did Europeans represent and construct India and by extension, the non-European world in the ways that they did? Why and how did these constructs evolve?
![](https://reviews.history.ac.uk/sites/reviews/files/styles/thumbnail/public/images/dowd.jpg?itok=Mo61ZVLP)
Imagine the surprise of Henry Rowe Schoolcraft when, on a humid July day in 1846, he picked up a copy of the Albany Argus, a New York state Democratic Party newspaper, only to learn that he had been murdered. The paper carried an obituary which reported that Schoolcraft had been shot in Sault Ste. Marie, Michigan by a ‘half breed’ named John Tanner.
![](https://reviews.history.ac.uk/sites/reviews/files/styles/thumbnail/public/images/remy.jpg?itok=rDa8wCQH)
A closer look at the rhetoric surrounding the current Ukrainian-Russian conflict reveals it is as much about past as about the present or future. Not only have both sides regularly resorted to historical arguments, turning the past into yet another battleground in a ‘hybrid war’, but outside observers also look to the past in search for answers and explanations.