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Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America is a deeply researched book, focused on how the new medium of photography was shaped and, in turn, altered by the country’s struggle over human bondage.
The Romantic image of the starving artist painting in a threadbare garret and refusing to bend his talent to please a Philistine public could not be further from the artists and their studios considered in Louise Campbell’s Studio Lives.
In early 1780 the rebuilding of Newgate Prison was very nearly complete. Thirty years of debating, campaigning, and planning had finally resulted in the construction of a new and improved jail, which would stand as a permanent monument to England’s commitment to prison reform.
The Birth of Modern Belief is seriously good. It is erudite, insightful, and cogent; but, above all, it enables us to think hard about the relationship between our past and our present.
In 1979 Pete Wrong of the art collective and Punk band Crass was being interviewed by New Society about his graffiti operation on the London Underground: ‘We don’t just rip the posters down or spray them. We use stencils, neatly, to qualify them.
The Sacred Home in Renaissance Italy presents itself as an important and innovative book in the panorama of the contemporary historical research of the Renaissance.
In the last couple of decades, there has been a resurgence in studying the history of South Asian urbanism with a wide range of monographs and articles being published.
This short book deals with urban panegyric in the 12th and 13th centuries. It takes ‘urban panegyric’ to mean the ‘praise of cities’, whether expressed in (quite often poetical) texts written with the express purpose of praising cities, or as parts of texts whose titles do not necessarily suggest that praise of a city might be found there.
Francis Bacon’s unfinished utopian novel The New Atlantis is often invoked in scholarship about early modern scientific projects.