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A stitch up is a devious act that someone does to someone else. It may involve putting a person or organization, perhaps, in a position where they will be blamed for something they did not do or it might mean manipulating a situation, in unseen ways, to one’s own advantage.
In Kimono: A Modern History, textile historian Terry Satsuki Milhaupt encourages her readers to ‘reflect deeply and broadly on what the kimono has meant at various points in its long history’ (p. 287). In this ambitious project, she identifies ‘modern’ with the period from the 1850s onwards.
Over 40 years ago, in the preface to his The Columbian Exchange: Biological and Cultural Consequences of 1492, Alfred Crosby, a key figure among the first generation of environmental historians, emphasized that `Man is a biological entity before he is a Roman Catholic or a capitalist or anything else’ (p. xiii).
Strategy: A History has to be the magnum opus of the academic life of Sir Lawrence Freedman. Rich in detail and deeply contextualising, this book is not only the longest but also the most diverse work in recent years on the evolution of strategy. The book is based on a life of scholarship as well as the most recent overviews on the topic.
In the latest of our occasional Reviews in History podcast series, Dr Jordan Landes talks to Professor Jan Plamper about his new work on the history of emotions, a subject which he has memorably described as a 'rocket taking off'.
Jan Plamper is Professor of History at Goldsmiths, University of London.
The history of emotions, a rocket taking off according to Jan Plamper, seems to be screaming ‘know thyself!’ at psychology in all its various forms, but most specifically at neuroscience. The development of a hard science of emotions has involved, with every step ‘forward’, the forgetting of the previous step.
Lynn Hunt’s new book, Writing History in the Global Era, places an important question on the table: ‘Is globalization the new theory that will reinvigorate history? Or will it choke off all other possible contenders, leaving in place only the inevitability of modernization of the world on the Western model?’ (p.
Jonathan Daly’s massive book will serve as a tonic for those anxious that the western world is slipping. It will serve as a red flag for specialists in the history of just about everywhere else, in the unlikely event they read beyond chapter one. As a story of innovation and achievement in the history of the West, this is a fine book, with many insightful passages and interesting details.
‘Making is thinking’, according to the sociologist and philosopher Richard Sennett.(1) It has long been recognised that the humblest of craft objects, often (though not exclusively) produced using materials and methods which differ from those used in industrial production, have the potential to offer alternatives to the dominant culture and to challenge conventional wa
Four years ago I published a review in this journal of a book on The Origins of Racism in the West.(1) I would like to begin the analysis of the volume by Bethencourt in the same way in which I began my piece on The Origins of Racism in the West, i.e.