Browse all Reviews
In February 2005 the Heritage Lottery Fund awarded over £3 million to the Victoria County History (VCH) – the high priest of England’s local history – to establish an ambitious new local history project, England’s Past for Everyone (EPE).
There can surely have been few other books in Asian Studies and certainly not in South East Asian Studies in recent years that have been as widely anticipated as James C. Scott’s The Art of Not Being Governed: An Anarchist History of Southeast Asia (Yale University Press, 2009).
As the editors’ introduction notes, this is the first of two volumes examining the subject of children in slavery, in a pioneering attempt to expose at least part of an area that ‘has only recently become the focus of academic research’ (p. 1).
What is a ‘Companion’ for?
The cover to the hardback edition of Edward Vallance’s A Radical History of Britain shows a Union Jack superimposed on a montage (King John signing the Magna Carta, the German Peasants’ War of 1525 (1), the Women’s Suffrage Movement, the Jarrow Crusade and the Battle of Cable Street) designed to illustrate the book’s subtitle: Visionaries, Rebels and Revol
The Pacific forms part of the series ‘Seas in History’ edited by the late Geoffrey Scammell. Already published are the volumes about the Atlantic, the Baltic and North Seas and the Indian Ocean. The historiography of seas and oceans has an illustrious tradition (Fernand Braudel, Kirti Chaudhuri, O. H. K. Spate, J. H.
Two books on druids in two years, and by the same author! If I were either of Ronald Hutton’s publishers I’d be biting my nails over this, but let me reassure them both right at the start that Hutton pulls it off, and in style. The two really do complement each other. So what does Blood and Mistletoe have that The Druids: A History (1) does not?
At the conclusion of her history of Marian devotion, Mother of God, Miri Rubin states, ‘For in woman’s capacity to act as a generous host, to contain a body in her body, there is an act of tremendous hospitality’ (p. 424).
The first principle of understanding history, I was taught, is to sympathize with the historical actors, to immerse oneself in their context and perspective.(1) Otherwise, history becomes a fabricated reconstruction – more about the writer's ideology than the events of the past.
A History of Nigeria is an impressive book, the more so because its ambitions initially appear straightforward. Toyin Falola and Matthew Heaton describe their project as ‘a general background survey of the broad themes of Nigeria’s history from the beginnings of human habitation … to the early twenty-first century’ (p.