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In 1979 Pete Wrong of the art collective and Punk band Crass was being interviewed by New Society about his graffiti operation on the London Underground: ‘We don’t just rip the posters down or spray them. We use stencils, neatly, to qualify them.
The planning of cities from the 1940s to the 1960s is one of the major strands of British (and indeed, international) post-war social history.
A recent addition to the Early American Places series, Adam Costanzo’s George Washington’s Washington: Visions for the National Capital in the Early American Republic provides an overview of the development of and visions for Washington, DC, from 1790 to the late 1830s and, thus, spans the administrations of the first seven American presidents: George Washington, John Adams, Thomas Jef
A stigma around the ill-defined genre of popular history lingers in the academy.
Robin Usher’s Protestant Dublin sets out its stall from the beginning: it is a study of symbolic and iconographic landscape of Dublin, the essential purpose of which is to explore ‘how the physical environment conveyed meanings relating [sic] to institutional authority’ (p. 3).