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To call the Presidential Election of 1860 a ‘campaign fraught with consequences of the most momentous import’ as New York Republicans did at their state convention in April 1860, is to make a rhetorical molehill out of a mountain.

Many years ago, J. H. Overton drew a fine line between Non-Jurors on the one hand and Jacobites on the other. The former, according to Overton, were ‘in no active sense of the term Jacobites’ because they were ‘content to live peacefully and quietly without a thought of disturbing the present government’.

When I was a fourth grade student in suburban Birmingham, Alabama in the 1970s, the history curriculum was devoted to a study of our state. Our teacher, Mrs. Lawson, supplemented our textbook with personal recollections of the Civil War gleaned from her own grandmother, who had been a girl in the 1860s. Mrs.

Even after John Adams’s belated success on American television, and Alexander Hamilton’s recent conquest of Broadway, Federalists still seem to lag Jeffersonians in popular and scholarly interest.

In the last year several books appeared focused on the United States in the world that seek to combine a study of intellectual history, popular culture and politics in a long breath of the 19th century.

David Brundage’s Irish Nationalists in America employs no sleight of hand in its title. It is a short, well-crafted new survey of Irish nationalists in the United States from the late 18th century to the close of the 20th that is more than the sum of its parts.

Since the turn of the millennium it has become increasingly common for general histories of magic and witchcraft to include a section on the phenomenon of magic in the contemporary western world, but the precise relationship between contemporary manifestations of magical belief and their historical antecedents is rarely explored.

Much like the American public, following the Civil Rights Movement of the 1950s and 1960s scholars of United States history have had a complex relationship with blackface minstrelsy. For scholars, as for many Americans, blackface minstrelsy partook in a vibrant and rich vernacular tradition, albeit one that by now most Americans have rightfully grown ashamed of.