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Englishmen have always travelled. According to French Abbé Le Blanc, they travelled more than other people of Europe because `they look upon their isle as a sort of prison; and the first use they make of their liberty is to get out of it'.(1) For young elite males who travelled to France and Italy for up to five years, the Grand Tour was, most historians agree, ‘intended to provide the final ed
How did the world of nation-states come about? What happened to the world of empires that preceded it? How did the transition take place and how inevitable was it? These may seem (and indeed are) old questions.
This is an edited collection consisting of 11 articles, plus an introduction and an epilogue, about the role of martial masculinities in British society and culture from the French Revolution to the beginning of the Great War. It originated in a conference held at the University of Hull in 2015. The majority of the authors teach in either a History or an English department.
‘We are not enemies, but friends. We must not be enemies’.(1) These famous lines from Abraham Lincoln’s first inaugural address serve as a stark point of contrast in the introduction of Damn Yankees! Demonization and Defiance in the Confederate South. For whilst Lincoln implored the nation to avoid violent confrontation, the war of words had already begun.
The literature surrounding British attitudes toward the American Civil War has a long history extending almost back to the conflict itself, in part because it speaks to a question that has long intrigued academic and popular readers alike; namely, how might the outcome of the conflict been different if the British government had extended diplomatic recognition to the Confederacy or even interve
Book compilations can be a difficult genre. Comprised of varied essays and authorial voices, it takes a clear and well-defined theme, and a sure editorial hand to maintain focus and quality.
In the late 1980s, a promising young African-American actor named Denzel Washington was asked to take a leading role in the movie, Glory. Directed by Edward Zwick, a white liberal, Glory told the story of a relatively minor action in the American Civil War.