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ISSN 1749-8155

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Review Date: 
29 Jan 2015

The comparative history of empires has become a very popular subject in recent years, provoking interesting debates on the origins of the globalization process and on the future of post-Cold War international relations.(1) The focus on empires has also provided a constructive way to reassess the role of Europe in world history, going beyond the traditional great narrat

Review Date: 
8 May 2014

Recent developments in Ukraine and Crimea have raised a number of questions about Russia and her political machinations.

Review Date: 
30 Nov 2010

Ten Years of Debate on the Origins of the Great Divergence between the Economies of Europe and China during the Era of Mercantilism and Industrialization

1.         Smith, Marx and Weber

Review Date: 
31 Mar 2010

What is a ‘Companion’ for?

Review Date: 
28 Feb 2010

I first came into contact with Jo Laycock’s Imagining Armenia when I received the Manchester University Press catalogue and found it listed on the page after my book.

Review Date: 
28 Feb 2009

To study Russia before the late 19th century is to labour under a twofold handicap.

Review Date: 
31 May 2006

This book is an overview of Russian conservative ideology from roughly 1500 to the First World War. Richard Pipes, the now Emeritus Baird Professor of History at Harvard, has written or edited more than twenty books on Russian history, and his latest work is in many ways a summary of his conclusions about why Russia developed differently from the countries of Western Europe.

Review Date: 
1 Jun 2004

Some books enlighten and disappoint at the same time. This is how I felt having read Oleg Tarasov’s book. Originally Tarasov’s doktorskaia dissertatsiia (the second PhD), the book was first published in Russian and has now been painstakingly translated by Robin Milner-Gulland and lavishly published by Reaktion Books.

Review Date: 
1 May 2003

The genesis of this fine monograph occurred in a moment of confounding cultural confrontation when Christopher Ely first viewed Russian landscape painting of the nineteenth century. Perplexed, he jotted down a question for himself. Why, he asked, were these works so 'consciously unbeautiful'? Gazing at one dreary canvas after another, he wondered, 'What was this fascination with mud?' (p.

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