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In 1886 the Glasgow Prayer Union (GPU) remembered in their customary prayers a woman across whom one of its ‘ladies’ had come. She had been ‘found lying very drunk near Cattle Market with young infant’. Concerned for the infant’s life, the unnamed philanthropist (not a word Smitley uses) takes the child to the nearby police station, ‘where the woman was also taken’ (p. 44).

Celebrity is becoming a hot topic for academics of all kinds, witnessed by the launch of the journal Celebrity Studies earlier this year.

The title of Susan Whyman’s The Pen and the People: English Letter Writers 1660-1800 suggests two potentialities at once: The Pen and the People indicates a comprehensive study of popular letters and letter-writing practices during the long 18th century (1660–1800); yet the subtitle, English Letter Writers, implies focused and discrete analyses of specific letter

A new book in one’s specialist area, in this case the historical and cultural study of popular song, is a reason for both excitement and anticipation. Excitement because one wonders what new insights the work will disclose, what new sources will be revealed and in what ways the area of study will be moved forward.

Shlomo Sand’s The Invention of the Jewish People, which appeared in Hebrew as Matai ve’ekh humtza ha’am hayehudi? [When and How Was the Jewish People Invented?] (1) elicited a thunderous response that has yet to abate.

The ‘shock city’ of the 18th century , London was always interesting to onlookers, but between 1763 and 1776 it was particularly interesting. It was the capital city of one of the most successful Great Powers, one that had just emerged the winner in the war with France.

The competition between religion and recreation in the Victorian period was pointed out by Brian Harrison as long ago as 1967, and at one level this book by Dominic Erdozain, Lecturer in the History of Christianity at King’s College, London, is an exploration of how the churches came to terms with their powerful rival.

The history of nakedness deserves a serious history. For organised nudism or ‘naturism’ was a conscious movement initiated by Europeans at the end of the 19th century that has exerted a significant influence over society and politics in the wider world. This book is not that serious academic history. In one respect its aim is much more ambitious.

The Surplus Woman is an important contribution to a growing international literature on the history of single women. Its chief strength is its affirmation of marital status as a central category of analysis for historians.

In this book Holger Hoock outlines the material and psychological investment of culture in the process of British identity-formation from the mid 18th to the mid 19th century. Studying the context of national consciousness Hoock draws on forms of aesthetics, war, literature and biography.