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Classical works formed the kernel of Thomas Jefferson's libraries. The third president read both Latin and Greek. He wrote repeatedly of his fondness of classical literature and died, on 4 July 1826, with Seneca's work open on his bedside table. Nonetheless, Jefferson in many ways doubted the classical world was the original mold upon which the American experiment had to be built.
Theodore Ziolkowski has been writing in the fields of German literature (especially Hermann Hesse) and comparative literature for some 50 years. One of his abiding interests has been an examination of what happens to the mythology, themes and plots embedded in works of ancient literature when modern writers and other artists encounter them.
Pompeii is the quintessential ghost story, frequently told by archaeological and literary scribes working together in symbiosis, not always for the good. In this multitude of ghost raconteurs novelist Robert Harris stands tall.
This is a very interesting volume, which aims to bring together the variety of contexts and genres in which ancient history was employed and studied during the Enlightenment.
Reading the introduction to this book one may be forgiven for thinking that the title is somewhat misleading for a volume given to the examination of ‘the processes of the making and breaking of peace treaties and truces’, rather than to war (p. 1).
In 221 BCE the state of Qin eliminated the last of its rivals, putting an end to centuries' long endemic warfare of the Warring States (Zhanguo, 453-221 BCE) age. The First Emperor (Qin Shi Huangdi, r.