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Containing a diverse range of essays on the experiences of early modern women from female investors to indentured servants, Challenging Orthodoxies: The Social and Cultural Worlds of Early Modern Women is an important contribution to the growing body of research on early modern female experience. First presented at a conference held in honour of Hilda L.

This book offers an investigation into the Anglo-Saxon cultural province of Francia during the eighth century (more specifically the area between the Middle Main and Tauber valleys), which, to borrow the author’s own words, ‘argues that the Christian culture of that region was thoroughly gender-egalitarian and in many ways feminist’ (p. 3).

This edited collection fills some important gaps in the historiography of rulership and the interactions between royal couples, particularly in cases when the man is not the legitimate heir.

The past two decades have seen a flourishing of scholarship devoted to female Catholic piety in early modern Europe, which has helped to balance the substantial historiography on women and the Protestant Reformation.

In the recent years, queenship has interested and fascinated numerous scholars.(1) While some queens, notably British and French ones, have already received interest from historians, this study is keen on shedding light on the female rulers of the Mediterranean.

With essays detailing everything from the experiences of old women to an examination of convent music, The Ashgate Research Companion to Women and Gender in Early Modern Europe promises ‘a comprehensive and authoritative state-of-the art review’ of historiography pertaining to the lives of women between 1400 and 1800 (p. ii).

While there has been sustained focus on modern women’s relationship to their culture and society, and, with the upcoming centennial commemorations of the First World War a surge of renewed interest in the art generated by the conflict, war-related imagery produced by women artists remains largely overlooked.

Theresa Earenfight’s new book, Queenship in Medieval Europe, stresses that the medieval royal court could be a woman’s world as much as a man’s.

This collection of essays edited by Debra Barrett-Graves provides new ways of interpreting the symbolic images through which Renaissance queens shaped their identity and royal authority. In bringing together different approaches and sources, the authors use the methodologies of several disciplines: literature, history, art history and cultural studies.