Browse all Reviews
The 18th century is still the least popular among Ottoman historians. Recently, with the influential counter-narrative of Ottoman decline and the coining of a new term—the 'Second Ottoman Empire'—by Baki Tezcan, our understanding of periodization in Ottoman history has changed. It is now recognized that there was no golden age followed by centuries of decline.
Jonathan Scott, Professor of History at the University of Auckland, in his recent book, How the Old World Ended (2019), has provided an intellectual bridge between the early modern period and the modern world, which was born out of the Industrial Revolution.
Mark Goldie has been one of the most influential interrogators of England in the later 17th and early 18th centuries.
Although England was just about early modern Europe’s least violent place to live it has, paradoxically, produced far and away the most research on the problem of homicide. The trend shows no sign of abating, as recent works by Lockwood and Sharpe demonstrate.
Gary De Krey is a leading historian of mid-to-late 17th-century London. His two monographs on the City: London and the Restoration and A Fractured Society capture the complexity, dynamics and interiority of London politics in ways that have often stumped the best of historians.
Pauline Gregg’s Freeborn John was previously the most recent full biographical work on John Lilburne. Published in 1961, Gregg’s work was extremely close to H. N. Brailsford’s seminal The Levellers and the English Revolution; the two works standing for decades as the cornerstones to Leveller historiography.
It is an ambitious book that would try to cover the Conquest of Mexico, the rise and fall of the country’s hacienda system, the emergence of the Virgen de Guadalupe, the intricacies of Emiliano Zapata’s role in the Mexican Revolution, and the exodus of women from rural regions in the mid-1960s to look for work as ‘household help’ in the nation’s fast-growing capital city.
Catriona Murray’s Imaging Stuart Family Politics is an impressive book, both for its high level of original research, and for its balance of academic sophistication with accessibility.
Some 70 years after the British left India it is timely to look back at how the kings and queens of the United Kingdom came to amass one of the largest private collections of South Asian art in the world. Two conjoined exhibitions currently showing at the Queen’s Gallery do just that.
As uncomfortable as it is for historians to admit, we cannot deny the veracity of the old adage, ‘history is written by the victors’. Before the advent of gender and feminist histories in the latter part of the last century, victors were almost all invariably men.