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ISSN 1749-8155

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Review Date: 
19 Jun 2020

In Automobility and the City in Twentieth-Century Britain and Japan, Simon Gunn and Susan Townsend have written the equivalent of three books.

Review Date: 
8 May 2020

At the time of writing this review (early April 2020), Harry and Meghan had decamped to Los Angeles, Prince Charles was recovering from the coronavirus, and Queen Elizabeth had just delivered a rare television address to the British people urging resolve in the face of COVID-19.

Review Date: 
1 May 2020

Much of the scholarship on American Jewry focuses on New York, the city that attracted the vast majority of Jewish immigrants. Yet a significant proportion of Jews settled in other cities, small towns, and even tiny outposts. Eric L. Goldstein and Deborah R.

Review Date: 
1 May 2020

Research on immigration to Britain at the turn of the 20th century largely conforms to historiographical conventions which privilege the nation state as a framework for investigation and which adhere to narrative chronologies relevant to nations. These conventions, Ewence contends, eclipse much from view which does not easily fit into such established categories.

Review Date: 
24 Apr 2020

During the interwar period, the figure of the ‘New Man’ constituted a powerful symbol of the promise and potential of a thorough-going political and anthropological revitalisation of society, which could effectively counteract widely-perceived notions of crisis and decline in the aftermath of the Great War.

Review Date: 
8 Apr 2020

Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America is a deeply researched book, focused on how the new medium of photography was shaped and, in turn, altered by the country’s struggle over human bondage. 

Review Date: 
27 Mar 2020

The Romantic image of the starving artist painting in a threadbare garret and refusing to bend his talent to please a Philistine public could not be further from the artists and their studios considered in Louise Campbell’s Studio Lives.

Review Date: 
13 Feb 2020

In 1979 Pete Wrong of the art collective and Punk band Crass was being interviewed by New Society about his graffiti operation on the London Underground: ‘We don’t just rip the posters down or spray them. We use stencils, neatly, to qualify them.

Review Date: 
10 Oct 2019

A Guide to the History of the Salient

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