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The recent celebrations of the 500th anniversary of the beginnings of the European Reformation have launched a steady stream of publications analysing almost every facet of the English Church at the start of the 16th century and beyond.
Historians are good at putting objects in their place. Details about context, manufacture, use, abuse, meaning, significance, decay, and so on are layered so that an object itself becomes a carrier of its moment in history. Putting material back into the fabric of history itself enriches that history.
In theory, ‘ecclesiastical history’ is just a polysyllabic synonym for ‘church history’. In practice, however, it connotes something more precise: the history of the church institutional. Like other forms of institutional history, it has become something of a historiographical backwater – very respectable and much loved backwater, I hasten to note – in the last generation or so.
The history of the western European family has been an area of interest for social and cultural historians for several decades with the late medieval and early modern period central to debates about continuity and change in family life. An aspect of family life that has received little attention is the common experience of remarriage and living in a stepfamily.
It is impossible to understand any human society without exploring its emotional rhythms, from the most dramatic to the most subtle. For too long, historians have ignored this simple truth… Yet in the Middle Ages, emotions were everywhere.
As a late medievalist who has recently moved to Scotland, I was disappointed to learn that the Burrell Collection in Glasgow – home to the many medieval treasures once owned by the shipping magnate and prolific collector, William Burrell – is closed over the next two years.
Thomas Becket, archbishop of Canterbury (1120–70) is one of the iconic figures in British history – a man who most people have not only heard of, but also have an opinion on. Yet, despite the brutality of his murder, such opinions are not always positive. In fact, this medieval archbishop is an unusually divisive figure, and always has been.
This volume – a collection of essays on the pontificate of Eugenius III (1145–53) – received a grant from the Thornley Bequest to help with the costs of production.
Lindy Grant’s long awaited and magisterial (although here one particularly laments the lack of a gender-appropriate adjective) book offers us a biography of Blanche of Castile, the Iberian princess famously chosen by her grandmother, Eleanor of Aquitaine, to marry the son of Philip II of France, Lord Louis, the future Louis VIII.
The British Library’s new exhibition ‘Anglo-Saxon Kingdoms: Art, Word, War’ is a celebration of Anglo-Saxon culture and learning, mainly represented though the texts produced during that period.