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Media, with alarming regularity, reports nuclear threats from North Korea and President Trump’s rhetorical belligerency; Russian and Chinese irredentism conflicts in the Middle East and Afghanistan, across the Sahel region of Africa and Yemen; not to forget the asymmentry of terrorism. Is there any consolation to be had in philosophy for the cultural phenomenon of war?
Carlos Eire’s Reformations aims to provide a readership of ‘beginners and nonspecialists’ (p. xii) with an introduction to European history between 1450 and 1650. Eire narrows down this immense task by concentrating his narrative on the history of religion.
It is dangerous for historians to know the future. The seductive power of seeing ‘how it all came out’ too often warps the way the process of change in the past is understood and can result in the classic version of a Whiggish view of history. Among the examples of this that can be cited is the way the Polish-Lithuanian union has been evaluated.
Elena Woodacre’s book on the five female sovereigns of the medieval Pyrenean kingdom of Navarre is a timely study considering the latest scholarship on politically active queens in medieval Iberia. This scholarship on ruling women, however, has focused predominantly on individual queens.
Glenn Richardson’s latest contribution to early modern Anglo-French relations comes in the form of this edited volume covering nearly three centuries of contact between England and France from 1420 to 1700. The Contending Kingdoms is essentially the proceedings of a Society for Court Studies conference which took place in London in November 2004.
This book is the result of a bold and innovative research project funded between 1999 and 2002 by the then Arts and Humanities Research Board, with further funds provided subsequently by a number of scholarly institutions. The preface further acknowledges the support of a glittering array of scholars, not least Geoffrey Parker who read through the entire draft.
In 1992, the National Gallery of Art in Washington, D.C., sponsored a special exhibition to mark 1492, the five hundredth anniversary of the Discovery of America. Reflecting the times in the 1990s, the exhibition tried to show the essential equality of all cultures around the globe at the end of the fifteenth century.