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Media, with alarming regularity, reports nuclear threats from North Korea and President Trump’s rhetorical belligerency; Russian and Chinese irredentism conflicts in the Middle East and Afghanistan, across the Sahel region of Africa and Yemen; not to forget the asymmentry of terrorism. Is there any consolation to be had in philosophy for the cultural phenomenon of war?
One might be forgiven for thinking that British defence policy between the Napoleonic era and the outbreak of the First World War was always geared towards a large, continental commitment.
The cover of Jan Rüger’s Heligoland shows a small, forbidding and desolate rock surrounded by inclement seas and with no sign of human habitation. This unwelcoming glimpse of land from afar – as so often the case with islands – will prove to be misleading. It gives no sense of the history on a grand scale that is to come.
The comparative history of empires has become a very popular subject in recent years, provoking interesting debates on the origins of the globalization process and on the future of post-Cold War international relations.(1) The focus on empires has also provided a constructive way to reassess the role of Europe in world history, going beyond the traditional great narrat
The historical literature on Afghanistan and the various armed conflicts fought on its soil has greatly increased in recent years, due to the tragic events following the American-led invasion of the country in October 2001.
In the autumn of 2011 the near-simultaneous publication of a number of books on the British Empire promised to add fresh momentum to the debate, if debate is the word, on the memories – or lack of them – that the British people currently carry for their empire.(1) Jeremy Paxman, with Empire: What Ruling the World Did to the British, promised a robust, ‘clear-e
The central thesis of T. G. Otte's meticulously researched new study of British foreign policy is that the Sino-Japanese War of 1894-5 produced the 'China Question' and with it, the problem of Great Britain's 'international isolation'.
With hostilities in the Second South African War spanning the period from 1899 to 1902, with the result that Boer War centenaries have been falling thick and fast for the last couple of years, it is not altogether surprising that in recent times books on this conflict have been appearing at a furious rate.
In reviewing Mark Cornwall's monumental study of 'front propaganda by and against the Habsburg Monarchy in the First World War, I feel I ought to register a certain personal interest.