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Edited volumes serve an important purpose: when executed correctly, they help consolidate a body of scholarship, encourage dialogue between the volume’s contributors and set an agenda for future research. The historical study of trauma has been well-catered for in this respect by Traumatic Pasts, edited by Mark S.
This book traces trajectories of medical understanding of mind, brain and nerves from pre- to post-war Britain and analyses the impact of the First World War with its shell shock ‘epidemic’ on established medical ideas and practices.
There is selectivity in many of the narratives of how animals’ lives have been shaped by warfare in the 20th century, which often focuses on their bravery and loyalty as they are used and abused on battlefields.
The Fear of Invasion: Strategy, Politics, and British War Planning, 1880-1914 / David G. Morgan-Owen
One might be forgiven for thinking that British defence policy between the Napoleonic era and the outbreak of the First World War was always geared towards a large, continental commitment.
Over 80,000 cases of shell-shock were officially recognised by British Army personnel during the First World War. The diagnosis remains a culturally and historically resonant symbol of the First World War in Britain. Its significance has been influenced by the famous post-war memoirs of ex-servicemen who recounted their personal experiences of shell-shock.
In the middle of the First World War during Easter week 1916, Irish separatists staged an armed insurrection against the British government, an event which is popularly recognised as the foundation date of independent Ireland.
Lesley Milne’s Laughter and War: Humorous-Satirical Magazines in Britain, France, Germany and Russia 1914–1918, offers a well written overview of the humour of four nations during the Great War, and in turn, four satirical magazines that provoked laughter in these combatant countries.
This is a wide ranging, specialist exhibition on peace activity and war resistance in Britain which is laid out in defined, chronological sections that run from the First World War to the 2003 Stop The War Coalition march in London.
The cover of Jan Rüger’s Heligoland shows a small, forbidding and desolate rock surrounded by inclement seas and with no sign of human habitation. This unwelcoming glimpse of land from afar – as so often the case with islands – will prove to be misleading. It gives no sense of the history on a grand scale that is to come.
Sonya Rose’s initial interest in national identity was sparked by the patriotic fervor that burst forth following the declaration of the first Iraq War (1990–1). ‘I wondered at how easily patriotic sentiment and the sense of belonging to a nation under threat – even if that threat was so far away – could be aroused’ (p. 285).