Browse all Reviews
Both in the number and quality of his writings, William of Malmesbury (c.1090-1142) has been widely recognised as one of the foremost contributors to the pronounced historiographical turn seen throughout the Anglo-Norman realm from the first decades of the 12th century onwards.
The Uses of the Bible in Crusader Sources makes an important and timely intervention in the field of crusader studies.
This is a book about two well-known dynastic verse histories commissioned by Henry II, the Roman de Rou by Wace and the Chronique des ducs de Normandie by Benoît de Sainte-Maure.
It is surprising how frequently books appear on the subject of Adam, Eve and the Garden of Eden. The already extensive bibliography in this volume could easily be doubled or trebled (1), but it has to be said that this is a fascinating, original and impressive contribution to what we might term protoplastic studies.
Towards the end of the tenth century in the province that had recently become known as Normandy, named after the ‘North Men’ who had come from Scandinavia, the third generation leader Richard I, count of Rouen (943–96), commissioned a dynastic history.
Jisc’s Historical Texts brings together for the first time three important collections of historical texts, spanning five centuries: Early English Books Online (EEBO), Eighteenth Century Collections Online (ECCO), and the British Library 19th-century collection.
The beginnings of Europe is not a very complicated historical subject. After the end of Roman domination in the fifth century CE, so-called ‘successor states’ grew up in the territories and around the margins of what had been the Western Roman Empire, and out of those states grew France, Spain, Italy and (with greater complications) England and Germany.
It is one of the worst vices of medievalists that we are too reluctant to take the authors of our major sources at their word. We are keen to classify (or dismiss) repeated ideas or phrases as tropes, topoi or commonplaces merely because they are frequently repeated.
Passing under a tessellated ply-wood portcullis to enter ‘Revel Grove’ and attend the Maryland Renaissance Festival, held in the Baltimore suburb of Crownsville, crowds of eager 21st–century revelers are greeted by none other than a faux Henry VIII, six feet plus in height, twenty stone, fists at his hips, legs akimbo in colossus fashion, and dressed in as authentic Holbein garb as a theater co
The first principle of understanding history, I was taught, is to sympathize with the historical actors, to immerse oneself in their context and perspective.(1) Otherwise, history becomes a fabricated reconstruction – more about the writer's ideology than the events of the past.