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Forty years after his death, much of Nehru’s world has been lost, its certainties eroded, its structures demolished. The European empires which Nehru challenged have long since disappeared.
Some books enlighten and disappoint at the same time. This is how I felt having read Oleg Tarasov’s book. Originally Tarasov’s doktorskaia dissertatsiia (the second PhD), the book was first published in Russian and has now been painstakingly translated by Robin Milner-Gulland and lavishly published by Reaktion Books.
In this innovative and interesting study, Antoinette Burton raises questions and extends the parameters of discussion in relation to a number of key issues that concern the relationship between women, the home and colonial modernity in twentieth century colonial India.
This book is about four episodes of excess mortality in Russia/the USSR: 1914-22, 1931-38, 1941-45, and the 1990s. The book is aimed at the general reader, although it may be of most use to older schoolchildren and students on many courses.
In a memorandum for the Committee of Imperial Defence dated 10 July 1920 Harold Nicolson, whose family connection with these matters dated back to the time when his father Lord Carnock entered the Foreign Office, namely 1870, wrote:
There are several novel things about this book that make it worth reading. The first one relates to the author. Unlike most other historians of Japan, who come from the areas of Japanese or East Asian studies, the author of this book arrives from an unexpected field. L. M.
Originally published in French in 2000 (1), this English translation of A History of Pakistan and its Origins was prepared for the English reader and released following the events of September 11. 2001.
s the deft pun in the title reminds us, one of the ways in which nations were both imagined and institutionalised in the nineteenth and twentieth centuries was through the conscripting of young men into the army. The ways in which they were called up, selected, trained and led, and the arrangements made for their families left behind deeply affected the nature of nationhood.
The genesis of this fine monograph occurred in a moment of confounding cultural confrontation when Christopher Ely first viewed Russian landscape painting of the nineteenth century. Perplexed, he jotted down a question for himself. Why, he asked, were these works so 'consciously unbeautiful'? Gazing at one dreary canvas after another, he wondered, 'What was this fascination with mud?' (p.
Not so long ago, Peter the Great was commonly portrayed by historians on both sides of the Iron Curtain as a proto-Homo Sovieticus: an icon of muscular masculinity, giant in both frame and achievement. According to this tradition, it was Peter's distinctive genius to drag a backward and xenophobic Muscovy, kicking and screaming, into the rational modern world.