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In 1984, Ernest May published Knowing One’s Enemies which examined intelligence assessments of enemies made by various nations before both the First and Second World Wars.
Gary Gerstle’s Liberty and Coercion is a tour de force account of American governance that manages to survey the chronological and geographical breadth of US history with a judicious depth of precise detail and example.
Contemporary punditocracy suggests that the Left has never grasped the joy of shopping, its late 20th–century political katabasis being no clearer indication.
Thomas Dixon’s Weeping Britannia is a tour through six centuries of British tears, from ‘extreme weeper’ Margery Kempe to the televised ‘sob-fests’ of Britain’s Got Talent and The X Factor, via tear-stained judges, the emotionally extravagant novel of sensibility, supposedly stiff-upper-lipped politicians, and the bemused disdain of dry-eyed journalists observing the
With the SNP decimation of all other parties in Scotland, in the 2015 General Election, Irene Morra’s engaging study of popular music and Britishness is perhaps more poignant than she might have originally anticipated!
Addressing how modern nations have found themselves, as President George W. Bush saw it, ‘stuck with these miserable choices’ when it comes to resolving financial crises, is at the centre of Larry Neal’s concise history of international finance.
Andrew Thorpe’s fourth edition of A History of the British Labour Party provides a much needed update to what has become one of the leading volumes on the Labour Party since its first edition in 1997. The book, spanning 412 pages, provides an engaging read into the history of the Labour Party.
For the past decade, digital history students have really only had one book upon which to draw to introduce them to the field: Dan Cohen and Roy Rosenzweig’s 2005 Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web.(1) The book continues to appear on nearly every ‘digital history’ syllabus in the English-speaking world.
It was hardly to be expected that the sesquicentennial might come and go without the Civil War’s most preeminent historian offering his thoughts on the subject, and James McPherson has not let us down. Not that The War that Forged a Nation is in any direct sense a comment on or reaction to the sesquicentennial; it is neither.
The Devils We Know: Us and Them in America’s Raucous Political Culture brings together a fine selection of James A. Morone’s essays combining the two areas to which he has devoted the last 25 years of his career: American political thought and American political development.