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Diana Spencer has a lot to answer for: suddenly, women of the landowning classes are back in vogue, possibly for the first time since the 1920s, when everyone from Virginia Woolf to Ramsay MacDonald seemed to love a lady. In academic circles, where Diana carries comparatively little weight, a more plausible trend-setter might be Stella Tillyard's Aristocrats (1994).
As Sandra Holton herself admits, historians of women’s suffrage, especially those whose main research interests lie with the British campaigns, frequently encounter the view that suffrage has been ‘done’ and that there really cannot be anything left to say on this topic.
George L. Mosse's book exemplifies the best in a new wave of histories focusing on masculinity in Europe since the second half of the eighteenth century.