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The field of queenship is continually expanding and drawing attention from scholars. Over the years, and especially through the Queenship and Power series at Palgrave Macmillan, a notable number of studies have emerged highlighting the importance of queens as consorts, regnants, and regents during the early modern period.
For more than 75 years the historiographical debate surrounding the appeasement policy of the 1930s has centred upon the notorious 1940 publication Guilty Men, in which a trio of left-leaning British journalists unleashed a vitriolic polemic castigating those men responsible for leading a hopelessly ill-prepared Britain into a catastrophic war.
Susan Doran is an established, well-respected Elizabethan historian, and her most recent book confirms that she can successfully analyze Elizabeth in ways accessible and interesting to both an academic audience and a popular one.
In late 1909, a suffragette attacked the Asquith government’s youthful President of the Board of Trade, slashing his face with a whip as he prepared to give a speech in Bristol station. Briefly stunned, he fell toward the station’s tracks at the same moment a train pulled out of the station.
In Mediatrix Julie Crawford seeks to expand our understanding of women’s contributions to early modern literary and political culture. Crawford seeks to look beyond the concept of the woman writer to instead focus on the ‘startling range of women’s literary practices’ and the ‘collaborative nature of literary production’ in pre-modern England (p. 3, p. 4).
W. B. Yeats’s famous poem, ‘Easter 1916’, is an ambivalent celebration of the new pantheon of heroes created when, through the means of a failed nationalist rebellion in Dublin, ‘a terrible beauty is born’.
In the recent years, queenship has interested and fascinated numerous scholars.(1) While some queens, notably British and French ones, have already received interest from historians, this study is keen on shedding light on the female rulers of the Mediterranean.
Elizabeth I (1533–1603) has been the subject of many fictional representations, some as early as the 1680s, speculating about her private life. Theatre plays, novels and later also films explored the allegations made against her during her life-time, such as suggestions that the Queen was infertile, that she was malformed, or in fact, a man or a hermaphrodite (p. 355).
Nest of Deheubarth, a 12th-century Welsh princess, has a presence well beyond academic history and interests. She was one of the most famous Welsh princesses and over the centuries has had a significant impact on Welsh history and identity.
Gemma Allen’s well-conceived and meticulously researched first book explores the ways in which themes of education, piety and politics interacted and impacted on the lives of the Cooke sisters in late 16th-century England.