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A lack of institutional documentation has rendered it difficult for scholars of early modernity to reconstruct the significance of apostasy from Judaism before the Council of Trent (1545-1563). As such, the reasons behind the conversion of Jews to Catholicism, especially in Renaissance Italy, remain understudied to this day.
This volume arrives with high praise. The book ‘[d]eserves to become another classic’, opines Peter Burke at the top of the front cover. It ‘[c]ompletely overhauls our view’, observes Ronald Hutton somewhat further down. The work itself is not shy of ambition either. Both the title—The Decline of Magic—and the subtitle—Britain in the Enlightenment—promise sweeping panoramas.
Mark Goldie has been one of the most influential interrogators of England in the later 17th and early 18th centuries.
The Birth of Modern Belief is seriously good. It is erudite, insightful, and cogent; but, above all, it enables us to think hard about the relationship between our past and our present.
The Sacred Home in Renaissance Italy presents itself as an important and innovative book in the panorama of the contemporary historical research of the Renaissance.
Francis Young’s Magic as a Political Crime in Medieval and Early Modern England makes an important contribution to both the historiography of political culture in medieval and early modern England and the historiography of magic. This book develops ideas from Young’s previous monograph English Catholics and the Supernatural, 1553–1829.
Since the turn of the millennium it has become increasingly common for general histories of magic and witchcraft to include a section on the phenomenon of magic in the contemporary western world, but the precise relationship between contemporary manifestations of magical belief and their historical antecedents is rarely explored.
This is an extremely ambitious, thought-provoking, challenging and inspiring book.
Every mode of writing history has its attendant dangers. The problem with so much conventional political and religious history is that it is an attempt to explain what actually happened. This seems sensible enough, of course, but it inevitably privileges the ways in which the successful historical actors valued their actions, as well as almost inevitably concentrating on an elite.
Frances Yates’ seminal book Giordano Bruno and the Hermetic Tradition (1964), which established a longstanding scholarly orthodoxy that Renaissance magic derived from interpretations of the Hermetic Corpus, has been challenged in its details by Bruno scholars and others.