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ISSN 1749-8155

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Review Date: 
31 Dec 2003

Britain in Revolution is a huge book in every sense, the distillation of a lifetime’s-worth of teaching, researching and writing, resulting in a large, sweeping narrative account of a very high standard.

Review Date: 
31 Dec 2003

Although the Electorate of Saxony was one of the most influential Protestant territories in the Holy Roman Empire, it has received little attention from English scholars.

Review Date: 
1 Jan 2004

‘Do you recollect the date’, said Mr. Dick, looking earnestly at me, and taking up his pen to note it down, ‘when King Charles the First had his head cut off’?(1)

Review Date: 
1 Feb 2004

Historians of early modern marriage have made much use of court records in uncovering the matrimonial difficulties of our ancestors.

Review Date: 
1 Dec 2003

Reflecting the place of the Bible as the bedrock of medieval culture, biblical imagery was ubiquitous in medieval England, yet it has not hitherto been the subject of a comprehensive modern monograph. Such precedents as there were – notably M. R. James’s The Apocalypse in Art (London: British Academy, 1931) and F. Wormald’s ‘Bible Illustration in Medieval Manuscripts’, in G. W. H.

Review Date: 
1 Nov 2003

Customs and Excise is the second major study to appear in as many years that investigates the impact of trade policy on the development of British industry.

Review Date: 
1 Nov 2003

For a long time the historical study of early modern women seemed destined to be confined to the domestic sphere. Almost axiomatically, 'women' have been treated as a subset of household, family, or marriage.

Review Date: 
30 Nov 2003

Nearly a century after G.M.

Review Date: 
1 Oct 2003

This collection of essays arises out of the 2001 Neale lecture at University College, London by Joanna Innes and the colloquium that followed it.  Although the Neale lecture is in British history, this book is very much a work of parliamentary history, catholic enough to extend its deliberations to considerati

Review Date: 
31 Aug 2003

In a famous essay on the tenacity of the Burckhardtian conception of the Renaissance, Johan Huizinga wrote that '[A]t the sound of the word ‘Renaissance’ the dreamer of past beauty sees purple and gold.' After reading Carole Collier Frick’s engrossing, multi-layered book, Huizinga’s romantic dreamers will have to become far more nuanced in their visual imaginings of the past.

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