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Some 70 years after the British left India it is timely to look back at how the kings and queens of the United Kingdom came to amass one of the largest private collections of South Asian art in the world. Two conjoined exhibitions currently showing at the Queen’s Gallery do just that.
In this history of representations and knowledge formation Sanjay Subrahmanyam turns a historian’s gaze to the problems both implicitly and explicitly embedded in all histories of the early modern and modern world: why did Europeans represent and construct India and by extension, the non-European world in the ways that they did? Why and how did these constructs evolve?
2017 is a wonderful year to study the history of Russia.
Serge Gruzinski compares Cortés’s actions in Mexico with suggestions for the invasion of China, adumbrated by Portuguese captives in Canton in 1522–3.
G. J. Bryant, The Emergence of British Power in India, 1600–1784: a Grand Strategic Interpretation (Woodbridge: Boydell Press, 2013). ISBN 978-1-84383-854-8
Russian historiography has been richly endowed with numerous topics of enduring interest such as the founding of the Kievan Russian State in the ninth century and its later demise, the Mongol conquest in 1236-40 and its consequences, the rise of the Muscovite state between 1300 and 1514, serfdom, Ivan the Terrible and his Oprichnina, Peter the Great and Westernization, the revolutions of 1
Admiral Eduard Baltin, wrestling in mid-1997 with the consequences of the division of the ex-Soviet navy between Ukraine and the Russian Federation, took a moment to reflect on the creator of the imperial Russian Black Sea fleet: "a loose woman and non-Russian, Empress Catherine the Great was a greater Russian patriot than today's rulers of Russia.