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Some 70 years after the British left India it is timely to look back at how the kings and queens of the United Kingdom came to amass one of the largest private collections of South Asian art in the world. Two conjoined exhibitions currently showing at the Queen’s Gallery do just that.
G. J. Bryant, The Emergence of British Power in India, 1600–1784: a Grand Strategic Interpretation (Woodbridge: Boydell Press, 2013). ISBN 978-1-84383-854-8
While reading Michael Fisher's new book, Counterflows to Colonialism: Indian Travellers and Settlers in Britain, 1600–1857, which details the diverse experiences of South Asians in Britain, I often found myself reminded of Tayeb Salih's 1969 novel Season of Migration to the North.(1) Th