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This volume arrives with high praise. The book ‘[d]eserves to become another classic’, opines Peter Burke at the top of the front cover. It ‘[c]ompletely overhauls our view’, observes Ronald Hutton somewhat further down. The work itself is not shy of ambition either. Both the title—The Decline of Magic—and the subtitle—Britain in the Enlightenment—promise sweeping panoramas.
Between 1500 and 1700, the period of Edmund Spenser and William Shakespeare, of John Selden and Edward Coke, English law and literature flourished. Yet, these two worlds did not exist separately from each other.
Wounds, Flesh, and Metaphor in Seventeenth-Century England is a wide-ranging study that examines the metaphor of woundedness within and across political, legal, religious and literary texts.