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ISSN 1749-8155

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Review Date: 
11 Apr 2019

As a late medievalist who has recently moved to Scotland, I was disappointed to learn that the Burrell Collection in Glasgow – home to the many medieval treasures once owned by the shipping magnate and prolific collector, William Burrell – is closed over the next two years.

Review Date: 
25 Oct 2018

The British Library’s new exhibition ‘Anglo-Saxon Kingdoms: Art, Word, War’ is a celebration of Anglo-Saxon culture and learning, mainly represented though the texts produced during that period.

Review Date: 
9 Aug 2018

Some 70 years after the British left India it is timely to look back at how the kings and queens of the United Kingdom came to amass one of the largest private collections of South Asian art in the world. Two conjoined exhibitions currently showing at the Queen’s Gallery do just that.

Review Date: 
8 Feb 2018

In Room 145 of the Ceramics Galleries of the Victoria & Albert Museum, at the top of case 50, you can see an ‘architectural fragment’, which, according to its label, ‘once ornamented a palace in Yuanmingyuan or “garden of perfect clarity”’.

Review Date: 
1 Feb 2018

Historians of British art have needed a book-length re-examination of the conversation piece and its role(s) in 18th-century society for some time.

Review Date: 
3 Mar 2016

Somewhat late in the day, Tate Britain has got around to an exhibition about the British Empire and its legacies.

Review Date: 
7 Jan 2016

Scholars of contemporary religious history, of art history, and of the immigrant experience will find much to interest them in this fine volume from Samantha Baskind of Cleveland State University, Ohio.

Review Date: 
29 Oct 2015

The collection of essays edited for Brepols by Kate Dimitrova and Margaret Goehring, Dressing the Part: Textiles as Propaganda in the Middle Ages, addresses the significance of cloth and clothing in visual culture during the Middle Ages.

Review Date: 
24 Sep 2015

Guido Ruggiero’s new social and cultural history of Italy between 1250 and 1575 begins at the end of the world and ends at the beginning of the ‘Great Social Divide’.

Review Date: 
17 Sep 2015

A stigma around the ill-defined genre of popular history lingers in the academy.

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