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The sub-branch of history that is known by the ambiguous (and frightening to undergraduates, cats, and many mainstream academics) name “historiography” seems to be undergoing a Renaissance at the moment.
About 40 years ago, the field of US intellectual history entered a period of self-doubt about the rigor of its methods, about the narrowness of its archive and its interests, even about the ontological gravity of the subjects it treated.
Paradigm shifts in historiography seem to come all at once rather than being spaced evenly along the disciplinary trajectory. The last such shift in writing about slavery and race (including civil rights) in the United States came between the late 1950s and the mid-1970s.
Gary Gerstle’s Liberty and Coercion is a tour de force account of American governance that manages to survey the chronological and geographical breadth of US history with a judicious depth of precise detail and example.
The Devils We Know: Us and Them in America’s Raucous Political Culture brings together a fine selection of James A. Morone’s essays combining the two areas to which he has devoted the last 25 years of his career: American political thought and American political development.
The first thing to note about this book is that it is about the American far left’s (that is by what Norwood sees as the American far left after 1920) engagement with Antisemitism and it is not about, or at least not just about, Antisemitism by the American far left.
Passing under a tessellated ply-wood portcullis to enter ‘Revel Grove’ and attend the Maryland Renaissance Festival, held in the Baltimore suburb of Crownsville, crowds of eager 21st–century revelers are greeted by none other than a faux Henry VIII, six feet plus in height, twenty stone, fists at his hips, legs akimbo in colossus fashion, and dressed in as authentic Holbein garb as a theater co