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Whom would one choose as a companion to Byzantium? Many might ask for Michael Psellos, the 11th-century polymath who appears in nine of this volume's 27 chapters. A measure of the distance Byzantine studies has travelled in recent decades, but also of how far it has still to go, is the publication of editions and translations of Psellos' many surviving works.
This is the book about German Orientalism I felt I could not and did not want to write, and I am very grateful to Ian Almond for having produced it.
I first came into contact with Jo Laycock’s Imagining Armenia when I received the Manchester University Press catalogue and found it listed on the page after my book.
Agatha Christie’s 1970 novel Passenger to Frankfurt might seem like an unusual place to start a history of the Children’s Crusade in 1212. To capture the radical youth-culture of the 1960s lying at the heart of her plot, Christie invoked the Children’s Crusade as a familiar symbol of misguided and ultimately dangerous youthful folly.
It is nearly a century and a half since Bernhard Kugler published the last substantial monograph devoted to the Second Crusade (Studien zur Geschichte des zweitenKreuzzugs (1)), a book which was disadvantaged by being printed in gothic typeface as well as academic German.
Fighting for the Cross introduces the subject of crusading by exploring the experiences and ideas of individual crusaders travelling to the Holy Land between 1095 and 1291.
The History of George Akropolites describes an exceptional period in Byzantine history, between the loss of Constantinople to the forces of the Fourth Crusade in 1204 and the reconquest of the city by Michael VIII Palaiologos in 1261.
The first, main title of this volume might seem to promise too little or too much—either a very superficial work of generalization, or a heterogeneous assortment of broadly grouped pieces too diverse and disparate to cohere.
D. K. Fieldhouse’s goal in this major comparative study of British and French imperialism in the Middle East is to consider the effects of the imposition of the mandate system on the former Arab provinces of the Ottoman Empire.
On the cover of Gerald MacLean’s engaging new study, The Rise of Oriental Travel: English Visitors to the Ottoman Empire, 1580-1720 is a ‘Portrait of a European Man’ by the Ottoman Artist Abdelcelil Celebi, known as Levni, and painted c.1720. MacLean does not discuss this portrait, but its selection as a cover image is calculated and significant.