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This collection of essays by Donnacha Seán Lucey and Virginia Crossman, which emanates from two workshops held in Dublin in 2011 and 2012, is a worthwhile contribution to the history of healthcare and voluntarism in Britain and Ireland, with chapters from a range of well-known scholars in the fields of healthcare and welfare history.
In the latest of our occasional Reviews in History podcast series, Dr Jordan Landes talks to Professor Jan Plamper about his new work on the history of emotions, a subject which he has memorably described as a 'rocket taking off'.
Jan Plamper is Professor of History at Goldsmiths, University of London.
The history of emotions, a rocket taking off according to Jan Plamper, seems to be screaming ‘know thyself!’ at psychology in all its various forms, but most specifically at neuroscience. The development of a hard science of emotions has involved, with every step ‘forward’, the forgetting of the previous step.
The human, the person as a category, may become a historical subject. To take this step, however, is to begin to destabilise the basic terms with which to think about experience and agency. Hence the need for recourse to a portmanteau term, which does not have to be and perhaps could not be clearly defined, like ‘the psyche’.
In the blurb to The Story of Pain, Joanna Bourke provocatively asks 'Everyone knows what pain is, surely?' Every sentient person will experience a diverse range of pains throughout their lifetimes.
Introducing a 1996 translation of Alain Corbin’s now seminal work on the history of scent, The Foul and the Fragrant, Roy Porter lamented that ‘today’s history comes deodorized’.(1) As Jonathan Reinarz shows in this historical synthesis of recent work on the history of smell, Porter’s complaint has since been enthusiastically answered.
I could say this is a story of two halves but I can’t bear football, so I won’t. Instead I will say that this book is both a narrative about the polio virus (particularly in America), its long history and the drive to treat and prevent it and it is a rich unfolding of the complex and messy tale of medical research.
From the advent of the new social history, the patient has received extensive attention from historians of medicine.
The Oxford Handbook of the History of Medicine appears at a critical moment for medical history; in a period when its practitioners are being forced to re-evaluate their aims and agendas in the face of shifting funding priorities and disciplinary angst. Just a few years, one leading medical historian publicly declared that medical history was ‘dead’, or was at least heading that way.
Ina Zweiniger-Bargielowska’s new history of the body, health and fitness in Britain is a wide-reaching and detailed study of relevant cultural practices and government policies between the Victorian period and the eve of the Second World War.