Browse all Reviews
Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America is a deeply researched book, focused on how the new medium of photography was shaped and, in turn, altered by the country’s struggle over human bondage.
In early 1780 the rebuilding of Newgate Prison was very nearly complete. Thirty years of debating, campaigning, and planning had finally resulted in the construction of a new and improved jail, which would stand as a permanent monument to England’s commitment to prison reform.
The Birth of Modern Belief is seriously good. It is erudite, insightful, and cogent; but, above all, it enables us to think hard about the relationship between our past and our present.
In the last couple of decades, there has been a resurgence in studying the history of South Asian urbanism with a wide range of monographs and articles being published.
Francis Bacon’s unfinished utopian novel The New Atlantis is often invoked in scholarship about early modern scientific projects.
Christer Petley’s book takes the life of Simon Taylor, the richest of Jamaica’s ‘planter class’ in an age of revolutions, to reveal broader truths about the British Empire. At its core, this is a biographical study based on Taylor’s extensive surviving correspondence with friends, family, and commercial allies.
Asian American studies in which the ‘American’ refers to Latin America have seen a considerable growth in recent years.
In her revised PhD thesis, which was written at the George Mason University, Sheila A. Brennan, combining postal history, philately, and memory studies, reconstructs the cultural history of stamp collecting in the U.S. from the end of the Civil War to 1940 and analyzes how this practice has shaped the issuance of commemorative stamps in this period.
‘This book’, writes Jeffrey A. Auerbach in his Introduction to Imperial Boredom, ‘is very much about how people felt’ [his italics]. As such, it takes its place in a growing body of scholarship that explores through individual lives the mind-set that under-pinned the empire project, both individually and on a collective level.
In Colonial Al-Andalus, Professor Eric Calderwood explores the origin of a claim widely promoted in Moroccan tourism, arts, and literature and finds its roots in Spain’s colonial rhetoric.