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Opening with Thavolia Glymph’s understanding of the Civil War as the ‘most racially gendered and regionally segregated historiographical space in U.S. History’, Judith Giesberg and Randall M.
There is no more exemplary figurehead for the history of legal culture than the late Christopher W. Brooks. As the editors of this volume observe, by the time of his death in 2014 Brooks ‘had established a firm reputation as the most important and influential historian of law and society in early modern England’ (p. 1).
There are many unsettling images that come to mind when one thinks of war, images that contrast starkly with commemorations that come after. Vulnerable, scared people dragged from their homes, animals carried off, and children ripped from their families all elicit very different sensations than that of a dignified memorial, a political treatise, or a celebratory account.
The consular official has often been a derided figure in the historiography of foreign services, often seen as uneducated, involved in commerce, and corrupt, perhaps personified in the figure of ‘Charles Fortnum’ in Graham Greene’s spy novel The Honorary Consul.(1) Such criticisms were often levelled at consuls.
Inglorious Empire arose from a speech given by Dr Shashi Tharoor in May 2015 at the Oxford Union in support of the motion ‘Britain Owes Reparations to Her Former Colonies’, focusing on British exploitation of India. The Union then posted the speech on the web.
Francis Bacon’s unfinished utopian novel The New Atlantis is often invoked in scholarship about early modern scientific projects.
The history of religious toleration during the early modern period has been revitalised over the past decade. Scholars such as Alexandra Walsham and Benjamin Kaplan have shown that early modern society did not view toleration as the social virtue that was later espoused by enlightenment thinkers.
The main aim of Nabors’ book corresponds directly to one of the greatest ambitions of any scholar of American history: that of defining the original meaning and nature of the American republicanism. Despite the number of contemporary scholars who have dwelled upon this subject over the 240 years of American federalism, the debate over the concept of American republicanism is yet ongoing.
How the West Was Drawn analyzes the relationship between Native Americans and the creation of maps of the western United States. To set the stage, Bernstein opens with a discussion of a modern controversy about maps, specifically Aaron Carapella’s Map of our Tribal Nations: Our Own Names and Original Locations.
Ann Curthoys and Jessie Mitchell have written an ambitious, detailed and wide-ranging book about government and Indigenous Australians in colonial Australia.