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Jason Garner's monograph on the origins of the Federación Anarquista Ibérica (FAI) is an illuminating and much-welcomed addition to the inchoate body of English-language scholarship dealing specifically with pre-Civil War Spanish anarchism.
The disintegration of communist federations at the end of the Cold War represented the most momentous reconfiguration of the boundaries of Eastern Europe since 1945.
Exile has long been central to our understanding of certain Early Modern topics. The flight of English Protestants, and then Catholics, to the Continent in the 16th century, or the exodus of Huguenots (many to England and Ireland) after the Revocation of the Edict of Nantes in the 17th, are perhaps the best known examples to UK audiences.
We have here two very different books utilizing two very different approaches to essentially the same period of history in Europe. And while the differences are enormous, each is excellent in its own way and both are major contributions to the historiography of Europe in the first half of the 20th century.
The Weimar Republic has long been synonymous in the public mind with political instability, economic crisis and cultural ferment.
There were times during the resurgence of the economic crisis in 2015 when it seemed as if ‘Greek-bashing’ had become a pan-European pastime.
We all now realise that fascism was a very serious business indeed, and historians have been treating it seriously for some time, even its maligned claim to be totalitarian. Historians have also moved way beyond the still lingering popular perception that Italian Fascism was somehow less radical, less totalitarian, less ‘fascist’ than German Nazism.
The general outline for this project, when the call for papers first appeared in June 2013, requested contributions for essays on the entertainments and popular culture of the First World War, offering a lot of promise for the study of humour in an historical context, which has, it would seem, only recently become of interest to cultural historians.(1) As a self-procla
Early in his study of radio in the USSR, Stephen Lovell quotes Rick Altman: ‘new technologies are always born nameless’ (p. 2). New technologies, that is to say, do not arrive with a self-evident purpose, and are understood initially relative to what already exists.
Historical scholarship has experienced a number of ‘shifts’ over the last three decades, with traditional concerns about politics and economics increasingly vying with newer ‘cultural-historical’ questions around language, meaning and subjectivity. Other innovations, such as spatial and transnational approaches to history, have also come to the fore.