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In 1775, Samuel Johnson had already identified the central paradox of United States history. He notoriously challenged British readers to explain why ‘we hear the loudest yelps for liberty among the drivers of negroes’. Generations of historians have tried to answer that question. How could a movement espousing belief in liberty include so many slaveholders?
Of all the Federal Arts Projects set up as part of the New Deal, the Federal Writers’ Project (FWP) was, in the words of one contemporary, the ‘ugly duckling’ (p. 35).
Jane Lead and the Philadelphian Society are not particularly well known figures to most scholars of late 17th- and early 18th-century religion. Born in 1624, Lead experienced a spiritual awakening aged 16. On Christmas Day 1640, while her family danced and celebrated, she was overwhelmed with a ‘beam of Godly light’ and a gentle inner voice offering spiritual guidance.
In the late 1960s, argues Matthew Wilhelm Kapell in Exploring the Next Frontier, ‘Americanist scholars’ (p. 6) intentionally abandoned the project of analyzing American myth. He identifies three reasons why they did so.
Michael Huckabee, former Arkansas governor, frequent presidential candidate, and former Fox News host, opens the election year reissue of his 2014 manifesto God, Guns, Grits, and Gravy with the arresting anecdote of 2012’s ‘Chick-fil-A Appreciation Day’.
In Commons Democracy, literary scholar Dana Nelson offers an alternative history of democracy in Revolutionary America. Nelson challenges the comforting narrative Americans like to tell themselves about the ‘Founders’ high-minded ideals and their careful crafting of the sage framework for democracy – a representative republican government’ (p. 3).
The American Civil War led directly to the passage of the 13th Amendment and the abolition of chattel slavery in the United States. How that happened and why it took so long has been a matter of dispute ever since.
Given the volume of recent works produced on the anti-slavery movement of the 19th–century Atlantic world, it was time for someone to create a new synthesis. Manisha Sinha’s The Slave’s Cause is a synthetic work that traces the long trajectory of the anti-slavery movement in the United States and places it into an international context.
‘We are not enemies, but friends. We must not be enemies’.(1) These famous lines from Abraham Lincoln’s first inaugural address serve as a stark point of contrast in the introduction of Damn Yankees! Demonization and Defiance in the Confederate South. For whilst Lincoln implored the nation to avoid violent confrontation, the war of words had already begun.
The years from 1840 to 1890 constituted a ‘golden age’ of turn out in American elections. Although only white men were assured of their votes, this period saw the highest rate of political participation among the eligible electorate, with roughly 70–80 per cent of voters casting ballots in Presidential elections; as compared to today’s figure of about 55 per cent.