Browse all Reviews
This volume arrives with high praise. The book ‘[d]eserves to become another classic’, opines Peter Burke at the top of the front cover. It ‘[c]ompletely overhauls our view’, observes Ronald Hutton somewhat further down. The work itself is not shy of ambition either. Both the title—The Decline of Magic—and the subtitle—Britain in the Enlightenment—promise sweeping panoramas.
Mark Goldie has been one of the most influential interrogators of England in the later 17th and early 18th centuries.
The Birth of Modern Belief is seriously good. It is erudite, insightful, and cogent; but, above all, it enables us to think hard about the relationship between our past and our present.
Never has the extraordinarily rich literature on mass atrocity seemed more relevant as ongoing reports from around the world remind us that we live in an age of genocide. This vast repertoire of scholarly work can appear at maximum capacity with countless overarching theoretical frameworks of mass violence.
It is hard to tell a non-deterministic story about the shift from early modern to modern economic practices: the terms we use (‘modernity’, ‘capitalism’, ‘economic’), the questions we ask, and the conclusions we draw are all inevitably weighed down by what we think or know about economic life today.
Thomas Paine, the most widely read political thinker in the late 18th century, played a notable role in the American Revolution, in the development of popular radicalism in Britain, and in the French Revolution.
The 1911 Revolution overthrew Manchu rule, ushering in the Republican era in China. As Xiaowei Zheng indicates at the beginning of this book, the traditional historiography on the 1911 Revolution focuses largely on the political dimension.
Work on the European revolutions of 1848 has rolled out at an accelerated rate since their 150th anniversary two decades ago. Much of this newer research has looked at previously unheralded social and cultural dimensions of the revolutionary conjuncture, but politics has remained, necessarily, at the centre of the literature.
Bought by the Harry Ransom Center for a reported $2,000,000, the around 270,000 papers of Gabriel García Márquez’s personal archive – collected in 79 document boxes, 15 oversize boxes, 3 oversize folders and 67 computer disks – provides a literally inexhaustible archive on his life and work.
About 40 years ago, the field of US intellectual history entered a period of self-doubt about the rigor of its methods, about the narrowness of its archive and its interests, even about the ontological gravity of the subjects it treated.