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The publication of the late Michael Watts’ The Dissenters, Volume I, From the Reformation to the French Revolution in 1978 marked a new phase in the historiography of Protestant Dissent in England and Wales. The first substantial assessment of the topic since H. W.

Until about 15 years ago the complex history of the links between the north of Ireland and colonial America was something of a brackish backwater in 18th-century Atlantic studies. Admittedly, the internal history of Ulster Presbyterianism had already come alive, thanks to the work of David Hayton on the early 18th century, and of David Miller and Ian McBride on the final decades.

This well-documented book is the result of intensive archival research in masonic sources at the Bibliothèque Nationale, the Grand Orient’s recently available ‘Russian Archives’, as well as numerous municipal and departmental repositories.

This is a very welcome addition to the study of dress in antiquity. While studies of clothing, bodily adornment and the body language of antiquity are becoming more frequent, a volume that considers the role of religious dress and the religious meanings of dress among Jews and Christians takes this research in new directions.

Scholars of modern Jewish life have largely focused on Jews’ position in the nation-states in which they live.

For all historians of this last, most violent, century some concern with matters of war and peace has been unavoidable.

In 1966 the historical profession was deprived of a talented and original practitioner, when Dr Walter Love was killed in a traffic accident. Utah-born Love was drawn towards Irish history following his postgraduate research into Edmund Burke, and ultimately his interest centred on how the events of 1641 had become engrained into collective memory in Ireland.

The study of religious minorities and their experience of persecution is sadly topical.

As Anna Bayman notes in her excellent new monograph, ‘[a] book about Thomas Dekker could [...] be a book about almost anything’ (p. 3). Tackling this prolific and somewhat elusive writer brings with it a host of difficulties. Dekker’s writings are generically and formally diverse, embedded within the political and moral concerns of early modern London.