Browse all Reviews
Football in the Balkans is usually associated with hooliganism and nationalist incidents accompanying international competitions such as the 2018 World Cup.
It is impossible to understand any human society without exploring its emotional rhythms, from the most dramatic to the most subtle. For too long, historians have ignored this simple truth… Yet in the Middle Ages, emotions were everywhere.
In Colonial Al-Andalus, Professor Eric Calderwood explores the origin of a claim widely promoted in Moroccan tourism, arts, and literature and finds its roots in Spain’s colonial rhetoric.
Historically, wars have always witnessed reports of ghostly sightings and visions. However, the First World War is of particular interest as such phenomena occurred in a more modern, secular environment, at a time when science and secularisation had emerged as predominant ways of thinking about the world. In addition, the number of lives being lost due to conflict was unprecedented.
‘Risen from the ruins and facing the future’ affirmed Johannes Becher’s emphatic opening strophe to the national anthem of the German Democratic Republic (GDR), composed in that state’s birthyear of 1949. It was a stirring message, and one that amply reflected the political imperative that had come to suffuse the material task of reconstruction after six years of devastating war.
One of the rare occasions on which a French Overseas Department has ever made both national and international headlines occurred in March and April 2017 when, over the course of one turbulent month, demonstrators filled the streets in towns in Guyane, French South America.
The aim to cover, in a single monograph, patterns and trends in memory across early modern Europe is an ambitious one. Yet if anyone could achieve this it would be Judith Pollmann. This is an ambitious book in its chronological and geographical scope, but is also pioneering in providing a meta-narrative of continuity and change in early modern memory practices.
Survivor Café: The Legacy of Trauma and the Labyrinth of Memory is novelist Elizabeth Rosner’s first foray into non-fiction.
In Geoffrey Chaucer’s The Canon’s Yeoman’s Prologue and Tale, the phrase ‘ignotum per ignocius’ is used in connection with the so-called ‘sliding science’ at which the would-be alchemists of the tale labour so diligently.(1) The phrase means to explain the unknown by the more unknown.
Since the turn of the millennium it has become increasingly common for general histories of magic and witchcraft to include a section on the phenomenon of magic in the contemporary western world, but the precise relationship between contemporary manifestations of magical belief and their historical antecedents is rarely explored.