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‘Artificial intelligence (AI)’ is a loaded term, rife with connotative contradiction that inspires debate, disagreement, and disillusion. But what is AI, really? How have our expectations of computational capability, and even a robot Armageddon, come to be? Why does it matter how we talk about increasingly sophisticated technology, not just in expository prose, but also in fiction?
Luke Blaxill’s book deserves to be seminal. Its unassuming title conceals a bracing methodological challenge: an argument for the application of specific digital techniques to the study of electoral politics.
Over the past years, there has been a lot of debate around the nature of scholarship in the area of Humanities Computing or, more recently, Digital Humanities (DH); more specifically, there have been several attempts to define it and identify its disciplinary characteristics.(1) Despite disagreements in terms of its definition, though, the field has now reached a stage
In 1833, after centuries of resistance and rebellion by enslaved people, decades of popularly-mobilized antislavery protests, and years of economic struggle on colonial plantations, England’s Parliament initiated the process of slave emancipation in the British Empire.
Leisure, Travel and Mass Culture – The History of Tourism is an online archive of tourism resources, curated by Adam Matthew Digital. The site is beautifully presented and easy to access for users. Like all good tourism attractions, it is welcoming to visitors, who will be curious to explore its enticing content.
Manuscripts Online: Written Culture 1000–1500 is an online gateway to digitised primary sources on medieval written culture. The website collects existing resources behind an interface similar to that of a library catalogue.
It is generally assumed that the digital revolution will spell the end for print journalism. Newspaper sales are in terminal decline as an increasing number of readers turn to websites, smartphones, and social media for their news and entertainment. However, while the internet may eventually kill off modern-day newspapers, it has managed to breathe new life into their ancestors.
For the past decade, digital history students have really only had one book upon which to draw to introduce them to the field: Dan Cohen and Roy Rosenzweig’s 2005 Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web.(1) The book continues to appear on nearly every ‘digital history’ syllabus in the English-speaking world.
Between 2004 and 2008 something happened to the digital network. It changed from being something we visited to something that colonised our everyday; it turned inside out, or, to use William Gibson's parlance, it 'everted'. Concurrently something happened to humanities computing.