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With contemporary Japanese-Korean relations so inextricably entrenched within contentious politics of national identity and divergent expressions of historical consciousness, Jun Uchida’s Brokers of Empire could not be a more welcome addition to the field of modern East Asian history.

It is interesting that well into the 21st century two books written by Turkish authors belonging to the historiography of the Armenian Genocide should be so vastly different in argument.

Some years ago, in the midst of a conversation about tourism and travelling, a friend from one of Britain’s former colonies remarked how shocked she had been to see ‘white people begging’ during her first trip abroad to Australia.

It is perhaps less true today than it was a decade ago that ‘an enormous number of early photographs of China lie largely ignored or unknown’, as Regine Thiriez, one of the pioneers of the field who has spent many years collecting and studying scattered and often very small albums, wrote in 1999.(1) During the last two decades the so-called ‘pictorial turn’ in the huma

In Western imaginations, the Chinese Cultural Revolution (1966–76) – in which one of the world’s oldest, most elaborate cultures began destroying itself, in which a successful, disciplined political organisation tore its own heart out, and in which colleagues and classmates turned murderously on each other – stands among the landmarks of the recent Chinese past.

Penelope Fitzgerald’s historical novel The Beginning of Spring, set in Moscow in 1913 but written at the height of perestroika, conveys an ambivalence familiar to those of us who spent time there during the Gorbachev years.

‘When did the West first seek reconciliation with Communist China?’, asks the blurb on the dust jacket of Patrick Wright’s latest book, Passport to Peking.

ProQuest Historical Newspapers has been in existence for a decade. The version under review includes runs of 30 newspapers, predominantly from the United States, spanning the years 1764–2005 and totalling some 27 million pages.

This is an unusual book in terms of the range of its discrete and varied chapters. Its strongest continuing themes are ecology and the Sundarbans. Despite an occasional lack of context and connection, each section is of interest, and some are original and thought-provoking.

Donald Filtzer has added another major book to his long and impressive contribution to the study of Soviet history. It is a formidably detailed analysis of urban living conditions during the late Stalinist period, from the closing stages of the Second World War to the death of Stalin in 1953. While it bears Professor Filtzer’s unmistakable mark, it is also something of a new departure.